Tree Tone To Create A Complimentary Pad
Using one of the new M4L devices on Ableton 11 to add another layer to a bass line.
Using one of the new M4L devices on Ableton 11 to add another layer to a bass line.
Let's go over the basic concepts for synthesising a nice thick pad using Wavetable. After that we can introduce some light modulation to keep it interesting.
Absolute classic sound coming through here. You don't need a fancy 303 to get things popping. Operator will do just fine. Let's take things down to acid town!
Wanna warp the hell out of a bass? I know I do. Here's one way to go about it on Ableton. 1. Add Operator 2. Play in one note for 2 bars 3. Add Saturator and turn up the drive 4. Add Amp, switch it to bass and crank up the gain 5. Add Overdrive and find a sweet spot with some more distortion 6. Add Echo and set the delays to Time and then set them very short. Around 30 ms. Up the input and set the feedback to about 30%. It should be adding an interesting metallic chorus...
Created originally by Kevin Saunderson under the alias Reese in his 1988 track “Just Want Another Chance” which was sampled by Renegade & Ray Keith in their 1994 track “Terrorist”. It has gone on to basically mean any sustained gnarly bass sound and can be heard in tons of dnb, speed garage and all sorts of other genres. Insert Wavetable 1. In Osc 1 stick with the basic shape and bring it all the way to the top for a full square wave 2. Set the effect mode to Classic and set the PW to 66% 3. Turn on the...
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